True Gusto

Travell Murals and Artworks

Category: outback travel

  • Daniel Kotynia — getting on with life

    Find Daniel’s work on Bluethumb. Read Daniel’s article featured on Medium. Follow on Medium to read more articles like this.

    Life was not always a bowl of candy for Daniel. Indeed, he did not develop his ‘live the dream’ lifestyle until after experiencing heartbreak, setbacks and many challenges. In a very generous way, Daniel shares his take on overcoming Post-Traumatic Stress, and we gain insight and understanding from his account of healing. Daniel shows that Art is a form of healing in and of itself.

    Find Daniel’s work on Bluethumb.

    Kangaroos Hanging Out on Sydney Harbour

    Happiness is a matter of choice.

    Daniel lifts his own mood, bringing joy to the people around him.

    These days, Daniel is a Fine Art student, continually pushing the boundaries of painting in acrylic and spray-can on canvas as he studies for a Bachelor of Fine Arts at UTAS. Quite quickly, Daniel decided to make a go of a painting career and became an exhibitor in the BlueThumb Gallery. His career has not looked back since.

    Sea Turtle Neon Cruise

    If you like these images read the whole article on Medium. I will soon be releasing more articles about Daniel and other artists who generously share their journeys. Please follow me to see more.

  • Creating Texture with Matisse Structure Techniques

    Creating Texture with Matisse Structure Techniques

    Building Texture with Matisse Structure

    This is a collage of a variety of murals
    These are murals both big and small. They represent a learing curve.

    This Blog is about the creation of texture, and the observations fit into points 5 and 6, Building Texture and Moving into Mixed Media.

    Setting Up an Experimental Studio

    For this experiment, I have chosen to use Matisse Structure over a basic layer of Chromacryl Student Acrylic to create an underpainting.

    As this journal unfolds, I will work through these layers,

    1. drawing up the mural
    2. painting a loose washed underpainting
    3. firming up details
    4. capturing detail and rescuing outlines
    5. building texture
    6. moving into mixed media
    7. spaces where finer details are required will emerge, and I will prime those spaces with Transparent Watercolour Ground.
    8. glazing
    9. finishing

    To this, I simply daubed the paint on straight from the tube or ploughed it on with a palette knife. These techniques require an article of their own. (They will appear here soon). Once settled and dried on the painting, they were glazed over ready for the next step.

    To see this work in context, read the article Water Colour Ground on Large Canvases

    1. Enhanced Texture & Depth

    Heavy body acrylics are thick, buttery paints that retain brushstrokes, palette knife marks, and impasto effects exceptionally well. When applied with Matisse-inspired structural elements—bold shapes and organic forms—the physical texture created adds captivating depth to the mural surface.

    2. Strong, Bold Visual Impact

    Heavy body acrylics encourage thick, saturated layers that stand out visually and physically, making the mural feel lively and tangible. They invite a tactile exploration of the work.

    3. Durability & Longevity

    Heavy body acrylic paint is flexible and highly durable once dry, making it suitable for murals exposed to environmental factors. Textured surfaces created by thick applications remain intact longer than thinner, dull surfaces, enhancing the mural’s lifespan.

    4. Expressive Brushwork & Tactile Feel

    Combining Matisse’s expressive structural forms with heavy body paint lets artists use bold brush strokes, palette knives, and other tools to create energetic, tactile surfaces. This “built-up” texture invites viewers to experience the mural visually and almost physically.

    5. Vibrancy & Color Saturation

    Heavy body acrylics hold pigments densely, resulting in rich and vibrant colours and bold palettes. The structural arrangement of shapes, combined with powerful colours and enhanced by subtle and not-so-subtle elements, creates murals that attract and hold attention.

    6. Versatility in Application

    The thick consistency of heavy-body acrylics works well with various texture-building techniques. As this journal unfolds, we will experience techniques such as scumbling, layering, carving, or adding mediums like gels and textures.

    7. Scale and Readability

    For large murals, bold structures painted thickly help the design read well from a distance and create engaging detail up close. The physical texture adds a third dimension that enriches the viewing experience at all scales.


    Drawing up the outlines at the Rir Lights Festival
    Drawing up the outlines at the River Lights Festival

    Summary

    Using heavy-body acrylic paint to apply Matisse-style structural elements in murals enables bold, vibrant, and durable textured works. It merges expressive form, vivid colour, and rich physical texture to create murals that are visually striking and tactilely engaging.

  • Emergence of Abstraction

    Reaching for Meaning – Mining for an Idea

    This photo definitely wasn’t an afterthought—something I just happened to snap at the Hot Springs this morning. On the contrary, I was exploring a theme that will emerge through my work until culminating in an exhibition at the Information Centre in September. 2024.

    Abstract paintings will explore the nexus between man-planned and nature. When the Hot Springs were designed, the architects and landscape artists did more than just fit into nature. They sought to fashion architectural forms that will fuse into the landscape.

    This curvilinear shape reminds me of an artist’s palette; in a sense, that’s what the springs will be for many: a space where kookaburras sit quietly, gazing out over the water while writers write and gardeners laze and dream.

    Look into this image. What do you see? I see a fertile space where creativity can surge from the depths of experience.

  • Clitoria ternatea is called the blue butterfly and Darwin pea.

    Clitoria ternatea is called the blue butterfly and Darwin pea.  It is named after the island where botanist Carl Linnaeus’s specimens originated: the Ternate Island, located in the Maluku Islands. It is commonly found in South and Southeast Asia but has also been introduced to Australia. (1) This delicious plant is growing at RESQ, and when I go there during the week, I pick some and eat it. The taste grows on you. But once dried (or even before) it can be brewed into a delicious tea.

    In Southeast Asia, the butterfly pea flower is a versatile ingredient, used not only as a natural food colouring for glutinous rice and desserts like Eurasian Portugal but also as ayurvedic medicine. In Kelantan, Malaysia, it’s a key component of nasi kerabu, lending its unique bluish hue. In Burmese and Thai cuisines, the flowers take on a different role, being dipped in butter and fried. They even find their way into the Nyonya dish Pulot tartal, adding a touch of colour. [2]

    Beautiful Blue tea Beverage

    Butterfly pea flower tea, a popular beverage in Thailand and Vietnam, is crafted from ternatea flowers and dried lemongrass. Its unique feature is its ability to change colour, depending on the additives. For instance, lemon juice transforms it into a vibrant purple. In these countries, the tea is often mixed with honey and lemon, enhancing its acidity and turning the drink into a delightful pink-purple. It’s a refreshing option at partys, and can be enjoyed in both hot and cold forms.

  • Coming from Eulo into Cunnamulla

    As you come in over the Land Bridge into Cunnamulla, there is a beautiful leafy green park. There iare swings, picnic tables, gym equipment and lots of space to exercise.

    If you travellers go right through the park, they end up at the information centre. It offers complimentary coffee; inside the info centre is an art gallery and a historic museum. Travellers can also charge their devices and buy memorabilia. Do drop in it is worth the visit.

  • Experimenting on a Panoramic Camera

    I went back out to the Allan Tannock Weir today to experiment with the panoramic function on my new camera. I think it works well, but I also need to learn a lot more about using the images on products. I love the weir, and I regard the trees along the river as sculptures. I will spend the weekend on the Warrego. I intend to pay for the whole weekend at the Hot Springs with the kayak on the bank below. At the moment, the Hot Springs is only open from 6-9am and then 5-9, so I will sit on the bank and do writing, painting and other work in the middle of the day.

    There is a jetty like this at the Weir and then another just down from the Hot Springs. They are like a launching pad into a world of serenity. If you look to the left you can see a dip where we drop our kayaks into the water.

    Every weekend, as I go out on the kayak, I intend to do a ‘portrait’ of a different tree. They all stand majestic and tall OR weather-beaten and driftwooded by the rise and fall of the water level. Sometimes at work, I drift off to my ‘creative space’ – thinking about what lies in store in the afternoon twilight.

  • Bollon is a Beautiful Town in Outback Queensland

    Built on the Bollon River, the main street is lined with trees, and gums line the river in the background.

    Bollon is a town where travellers need to be self-starters to find something to do. Kayaking, fishing, and camping in the peaceful surroundings, Bollon is a place to relax and unwind. More to the point, it is a crossroads to the townships nearby. Coming from Cunnamulla, travellers turn right and travel through Dirranbandi or go straight ahead and land in St George another beautiful river town.

    Meals can be enjoyed at the hotel or the local cafe called “Deb’s Cafe”. I enjoyed a hearty breakfast there today for under $25.